Cigar City Brewing, Tampa
By Julie Johnson
Published November 2011, Volume 32, Number 5
I recently gave a presentation at the National Homebrewers Conference in San Diego on aging beer on exotic wood, which covered Spanish cedar—they use it to construct the humidor boxes to age cigars and they also use it in the construction of cigar inserts. I also discussed lemon and grapefruit wood aging in the Dos Costas Oeste project we’re doing in collaboration with The Bruery out of Placentia, CA. [“Two West Coasts,” since both breweries are on the west coasts of their respective states.] Read More…
Founder of New Albion Brewing Co.
By Julie Johnson
Published September 2011, Volume 32, Number 4
In 1976, an ex-Navy man named Jack McAuliffe founded America’s first modern microbrewery, New Albion Brewing Co. in Sonoma, CA. In an era when American brewing was dominated by a few large facilities brewing versions of light lager, McAuliffe hand-built his brewery from the ground up, and brewed full-flavored bottle-conditioned ales in the English tradition.
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Saint Arnold Brewing Co., Houston, TX
By Julie Johnson
Published July 2011, Volume 32, Number 3
What do you hope your fans will take away from your Moveable Yeast project?
The primary goal of the series was to demonstrate to beer lovers―who may not be as familiar with yeast as, say, homebrewers would be―how large an effect yeast has on the flavor of beer. People talk about malt and hops a lot, but yeast is kind of forgotten. Read More…
AC Golden Brewing Co.
By Julie Johnson
Published May 2011, Volume 32, Number 2
Tell me about AC Golden.
GK: We’re owned by MillerCoors. Pete Coors took a look at how new products like Blue Moon were being developed for the pipeline, and noticed that we weren’t doing many. Largely, what the big brewers have done is spend anywhere from $19 to 30 million developing a brand, developing the advertising, shooting commercials, buying airtime, all the R & D, all the packaging―and, frankly, 90 percent of them fail. Read More…
Live Oak Brewing Co.
By Julie Johnson
Published March 2011, Volume 32, Number 1
When Live Oak opened in 1997, you specialized in beer styles that most craft brewers weren’t making. Why did you make that decision?
Our first beer was a pilsner. I don’t know if anybody was making any back then—Victory might have been. We started making Czech pilsner because they taste so good and we love them so much. You can’t hide behind any flavors in it—they’re all right up front. It’s a difficult beer to make, so I understand why people don’t make them that much.
Was the public ready to support a craft pilsner?
I won’t lie to you, in the beginning it was a little tough. The BudMillerCoors drinkers would try our beer and say “Yuck, that tastes like beer, or something.” As for craft beer guys, pale ales and IPAs getting very popular, so it was difficult. But when they tasted it, they realized, OK, this is the real deal: this is what a pilsner is supposed to taste like. It’s got plenty of flavor to satisfy a beer geek, such as myself.
Where did you develop this love for traditional lager styles?
Back in 1980, I got a big dose of European beer by being in Europe for 10 months. Then I came back to Austin and went to graduate school in molecular biology. It’ll come as no shock to anyone that in graduate school we used to have a lot of parties. We’d tell everyone to bring a six-pack of craft—no, it wasn’t “craft” back then—“import or domestic microbrew,” was the way we used to phrase it. You’d just empty your six-pack into the baby wading pool that was full of bottles. People stood around and sampled each other’s beers. We’d have maybe 80 different beers at a party—this was in the early or mid-80s.
I started homebrewing then, but I never got very good. Then I finished my degree, and I did a post-doc out in San Diego. I met another post-doc who was a very good brewer. I think he had been a member of the Maltose Falcons in California. He was brewing lagers and doing all-grain mashes. I really learned how to brew with him. I came back to Austin after three years and joined the homebrew club, kept brewing lagers, met Brian Peters in the homebrew club, and we got into brewing pilsner. He had been to the Czech Republic, I think, and I had been, and we were enamored with the Czech style of pilsner.
So that’s what you modeled the Live Oak pils on?
Yeah, although Michael Jackson likened it to a Northern German pils, like a Jever.
The first place I ever heard of you was his column in our magazine, where he raved about your pilsner.
That was good for us. We started buying malt from Lynn O’Connor at St. Patrick’s of Austin. She imported Czech malt for her homebrewing supply business: floor-malted, under-modified malt, made from heirloom variety barley. Then she got out of the ingredients business, and we took over importing the malt directly ourselves. We still use that malt, direct from the Czech Republic. We get under-modified malt, and we get a regular pils malt from there.
We do a decoction mash for the pils. You have to work that malt a little harder than you normally would have to, but the result is a nice, firm maltiness, without being sweet. A good backbone for the amount of hops we put in there.
And which hops do you use?
We use Saaz hops. We buy the hops through a broker, but the malt we import.
Can you explain the decoction method and its effect?
When metal vessels were difficult and expensive to make, you could take a smaller metal vessel and bring some of your mash up to a boil in that, and then add it back to the main mash. That would raise the temperature of the entire mash. It’s a different way of doing it than heating the mash like a bowl on the stove, and it’s different than adding boiling water to raise the temperature. I think it’s a remnant of needing a smaller vessel. Boiling the mash breaks open the malt and caramelizes some of the sugar. The result is sort of dry. It’s not sweet, but you can taste the malt in it.
If you didn’t use this method, what would be the difference?
The mouthfeel is slightly less, it’s not as firm: we taste them side-by-side. There are a lot of people who’d swear you could duplicate decoction by adding a couple of bags of Vienna malt or adding some Munich malt, and I guess you can. But this is a different way of doing it that gives a slightly different mouthfeel and malt character.
Do you use decoction on your other lagers, as well?
We have used it on many of our beers, not just the lagers. We don’t use it on our Big Bark, which is our Vienna. But we use it on our Oaktoberfest, and the weizenbock, and at one time we used it on the hefeweizen, but we don’t now. It’s a pain, especially with the equipment that we have, which is not well set-up to do a decoction. People who brew here, they curse it because a decoction is a pain, but then we have a tasting and we prefer it.
Pizza Port, Carlsbad
By Julie Johnson
Published January 2011, Volume 31, Number 6
You’ve won Large Brewpub of the Year twice, and you have won Alpha King twice. So what I want to know is, what’s the story with the plaid pants?
That’s a good one. I like that question, right off. In my high school years, some friends of mine used to wear kind of loud pants and jackets and cruise around town, being a general menace. In college, some friends did the same type of thing, but just the loud pants, and we used to call them “party pants.” Now, each year for the GABF I try to find a new pair that’s louder or at least just as loud, so now I’ve got quite a collection. We make a beer here at Carlsbad that won an award a few years back, called Party Pants Pilsner. Read More…
